I had been reluctant to attend the show, to say the least. This would never have happened to a man… How many men have pre-seed ideas or pre-launch ideas and get funded and either they execute it or they don’t? For some reason this woman got caught up in the wrong place at the wrong time.” (To date, Delvey is the only person who has been charged in connection to her scams.) She’s a woman who was trying to start a company and raise capital. One woman who declined to be named (many attendees declined to go on the record, perhaps correctly estimating that prospective employers may not look kindly on full-throated defenses of convicted felons) framed Delvey as a feminist icon: “She is absolutely not a scammer. There’s an art to the scam, but I’d like to see her doing art itself.” It’s good to see her apply herself in a creative way. “She’s very talented and had her hands in so many different things. “I think she’s such a pioneer in the age of the scam,” says Taylor Ghrist, an aspiring screenwriter and Catskills lodge worker. She figured out her dream along the way…I don’t know the moral of it or anything, but parts of it are definitely inspiring.” “She’s doing everything everyone else really wants to do, which I think is really exciting,” says perfume designer Ryan Richmond (whose product is named, appropriately enough, “Rich Mess.) “Going to New York, getting more popular, going to the right events, getting into the seat of things. “Anna Delvey is the people’s chick,” Stephen James The Artist, a Zack Morris lookalike clad head-to-toe in a tie-dye sweatsuit he identified as “Lenny Vuitton,” proudly proclaimed.
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Having been released early on good behavior following a jail sentence for multiple counts of grand larceny and theft of services, she is now currently at an ICE detainment center in Orange County, New York for overstaying her visa and is awaiting deportation to Germany.Īt “Allegedly” - Delvey’s first solo show, which was held at the Public Hotel on the Lower East Side - these stans were out in full force, painting Anna Delvey as a modern-day Robin Hood subject to the brutal capitalistic forces of the patriarchy. In 2020, she was convicted of stealing hundreds of thousands of dollars from friends and various businesses in New York. In 2017, she was arrested after raising the alarm of numerous big banks and failing to pay her hotel bills. But in pretending to be an iconic New York City heiress, she has also, improbably, remade herself as an iconic New York City success story. One attendee later refers to it as “like a Kanye video when he’s off his meds.” “I think she’s making some sort of big statement,” I overhear the woman behind me saying, but she doesn’t really elaborate on what that statement might be.Īnna Delvey is a convicted criminal and scam artist who, in pretending to be a Bavarian heiress raising venture capital for an arts space, humiliated and ruined the lives of innumerable people. The audience seems a little baffled by the display or at least, the audience members who are paying attention to it in the first place, and not just checking how many people have viewed it on their Instagram stories. All of the works are signed, in highly stylized, curlicue font, looking much fancier than the chicken-scratched, color-penciled images themselves, “Anna Delvey.” Run it again!” No one, except for the models, was wearing a mask.ĭozens of photographers clamor to shoot the models holding the art, even though no one else in the room is paying much attention to it. There’s an image of inmates swanning around in Hermes and Bottega Veneta on the stairs of a penitentiary, with the caption “Corrections Collection” a paper doll showing a female figure’s transformation from donning Sally Hershberger highlights and a Dries van Noten jacket to a prison-instituted sweatsuit and Amazon panties and an image of a woman in thick, black-rimmed glasses confronting a harried desk clerk, with the bubble, “This is a club card. Immediately, Kanye West’s “Flashing Lights” blares over the loudspeaker as a bevy of swan-necked models in black BDSM masks parade down a narrow corridor carrying various crudely drawn sketches.
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“You’ve heard so many voices already, but this is just the beginning of me telling my story, my narrative, from my perspective,” she concludes, with whoops of approval from the crowd.
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The voice on the loudspeaker is from an Anna Delvey impersonator, but a few minutes later, the real Anna speaks in a prerecorded message. Am I gorgeous or what? And don’t you worry. “Welcome to my partyyyyyy,” a vaguely Eastern European-accented voice drones, as a crowd of reporters, influencers, and hangers-on whip out their phones to capture the magic.